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All these elements would come together in a truly prodigious fashion in the early 00s, when Dilla and Slum Village would release their second studio album Fan-Tas-Tic Volume 2. Against the backdrop of Dilla's rich production, T3 and Baatin's free-flowing style of rhyming would also earn wide critical praise, leading to comparisons as the successors to A Tribe Called Quest. 2 and making it an exciting record for anyone in love with purist hip-hop.The contributions of the late Detroit producer James DeWitt Yancey -better known to the world as J Dilla- to the world of hip-hop can't be overstated, and nowhere is his legacy more apparent than his work as a member of Slum Village.Ī founding member of the trio, (alongside rappers T3 and Baatin) Dilla provided the group's distinctly esoteric, free-wheeling sound, built around winding basslines, quirky drumbeats, subtle low-end frequencies, and classic jazz & soul samples.
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In the end, no matter how much one hears Jay Dee's squeaky clean production, it never gets old, justifying the hype surrounding Fantastic, Vol. Unfortunately, his sound isn't new anymore, and though many may like the fact that Slum Village doesn't rap about decadent topics, one often finds Eminem's psychosis, Easy-E's promiscuousness, Bone Thugs-N-Harmony's odes to bud, and DMX's inner conflicts more entertaining than Slum Village's mundane topics. 2 had hit the streets in the mid to late '90s rather than in 2000, it would have been a landmark album with Jay Dee's signature neo-JB's hip-hop. The problem lies in the fact that Slum Village isn't nearly as interesting as lyricists and their album follows rather than precedes these other groups. One can't help but notice that Slum Village sounds strikingly similar to A Tribe Called Quest, De La Soul, and Common, which isn't surprising considering the fact that Jay Dee produced all three artists. Gangsta motifs, violence, bling-bling, drugs, misogyny, ice, trash talking, nonsense? These topics are also notably absent here, leaving Jay Dee, T3, and Baatin to rap about less dramatic and more egotistical topics such as their skills. Similar to how his production looks back to a classic retro style of pre- Bernie Worrell funk, Slum Village's lyrics also have more in common with the past than the present. Dre's signature West Coast synth lines, and RZA's hallucinagenic orchestral ambience are nowhere to be found in Jay Dee's production.
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The synthesizer-based sounds, such as Mannie Fresh's ass-shaking electro beats, Dr. He specializes in a clean, musical style of hip-hop beats with an emphasis on crisp acoustic percussion and other classic funk sounds. Jay Dee's solid production track record for renowned artists such as Common and Q-Tip garnered the majority of the hype for this Detroit trio's second album. 2 finally reached the public's ears, reinforcing the fact that the group - and particularly producer Jay Dee - planned to continue where A Tribe Called Quest left off. After being talked about and awaited for months, Slum Village's Fantastic, Vol.